She had spent eleven years turning manuscripts into things people read on trains, phones, and the backs of buses. I manage digital publishing programmes across a catalogue of roughly 2,400 titles, and I like the part of the work that most people never notice: the metadata, the reflow, the moment a book opens on a screen and simply behaves. Over the past two years my team lifted ebook revenue by 34% while cutting production time per title from 9 days to 5. I still read the print proofs first, out of habit.
· · ·
Chapter notes · Experience
Digital Publishing Manager
Thornfield & Vale Press · London · 2021–present
The list had grown faster than its pipeline, and something had to give.
Rebuilt the ebook production workflow so per-title turnaround dropped from 9 days to 5, clearing a backlog of 180 titles in one quarter.
✎
Later that year, the reader-facing subscription app I helped scope reached 41,000 monthly active readers within 14 months of launch.
Senior Ebook Producer
Harrow Lane Books · London · 2017–2021
Accessibility was treated as an afterthought until it wasn't.
Brought the frontlist to full EPUB accessibility compliance, moving 620 titles to certified reflowable files.
★
Cut proofing errors flagged by retailers by 47% after introducing an automated validation step across 3 conversion vendors.
Production Editor, Digital
Kestrel & Finch · Bristol · 2014–2017
A small house, a shared desk, a lot of learning on the fly.
Shipped 130+ ebook conversions a year and set up the metadata template still used across the imprint.
✎
· · ·
Margin note · Craft
Highlighted skills
EPUB 3 & reflowable design
ONIX metadata
Accessibility (WCAG, EPUB a11y)
InDesign to ebook
Vendor management
DRM & distribution (KDP, Apple, Kobo)
QA automation
Editorial workflow
Appendix · Education
2014MA Publishing, University of the Weald
2012BA English Literature, Callowbridge College